+7 (925) 966 4690
ИД «Финансы и кредит»

ЖУРНАЛЫ

  

АВТОРАМ

  

ПОДПИСКА

    
«Экономический анализ: теория и практика»
 

Включен в перечень ВАК по специальностям

ЭКОНОМИЧЕСКИЕ НАУКИ:
5.2.1. Экономическая теория
5.2.3. Региональная и отраслевая экономика

Реферирование и индексирование

РИНЦ
Referativny Zhurnal VINITI RAS
Worldcat
Google Scholar

Электронные версии в PDF

Eastview
eLIBRARY.RU
Biblioclub

О различных подходах к идентификации предпочтений зрителей театральных постановок

т. 15, вып. 10, октябрь 2016

Получена: 05.04.2016

Получена в доработанном виде: 24.05.2016

Одобрена: 04.07.2016

Доступна онлайн: 01.11.2016

Рубрика: НАУЧНОЕ ОБОЗРЕНИЕ

Страницы: 168-182

Бузанакова А.Р. студентка факультета экономики, менеджмента и бизнес-информатики, Национальный исследовательский университет «Высшая школа экономики», Пермь, Российская Федерация 
alinkabr.perm@gmail.com

Ожегов Е.М. кандидат экономических наук, старший преподаватель департамента экономики и финансов, младший научный сотрудник лаборатории междисциплинарных эмпирических исследований, Национальный исследовательский университет «Высшая школа экономики», Пермь, Российская Федерация 
eozhegov@hse.ru

Цели. Систематизация подходов по выявлению потребительских предпочтений на рынке театральных постановок в части используемых данных для проведения эмпирического исследования предпочтений, групп переменных и их измерителей, определяющих предпочтения индивидов, а также эконометрических методов идентификации предпочтений.
Методология. Методом проведения исследования является метаанализ существующих работ по оценке спроса на театральные постановки и идентификации предпочтений театралов.
Результаты. Проведен обзор методов выявленных и заявленных предпочтений, описание условий применимости и критический анализ данных методов. Систематизированы основные переменные, определяющие потребительские предпочтения на рынке театральных постановок.
Выводы и значимость. Исследования потребительских предпочтений могут проводиться на основе реальных данных о продажах (метод выявленных предпочтений) либо на основе данных опросов зрителей (метод заявленных предпочтений). Спрос и предпочтения индивидов на театральном рынке зависят как от характеристик зрителя, так и от характеристик зала, мест в зрительном зале, характеристик произведения и постановки, а также времени и даты показа. Результаты исследования могут быть полезны театрам, ставящим исследовательские задачи оценки функции спроса на их услуги, а также выявления портрета их зрителя, что необходимо для настройки системы маркетинга театрального продукта и ценовой стратегии театра.

Ключевые слова: театр, предпочтения, спрос, ценовая эластичность

Список литературы:

  1. Moore T.G. The Demand for Broadway Theater Tickets. Review of Economics and Statistics, 1966, no. 48, pp. 79–87.
  2. Throsby C.D., Withers G.A. The Economics of the Performing Arts. New York, St. Martin's Press, 1979.
  3. Throsby C.D., Withers G.A. Measuring the Demand for the Arts as a Public Good. Proceedings of the Second International Conference on Cultural Economics and Planning 'Economic Support for the Arts', May 26–28, 1982, Netherlands. Association for Cultural Economics, University of Akron, 1983, pp. 37–52.
  4. Schimmelpfennig J. Demand for Ballet: A non-parametric analysis of the 1995 royal ballet summer season. Journal of Cultural Economics, 1997, vol. 21, iss. 2, pp. 119–127. doi: 10.1023/A:1007431510546
  5. Lévy-Garboua L., Montmarquette C. Demand. In: Handbook of Cultural Economics. Edward Elgar, 2003.
  6. Zieba M. Full-income and Price Elasticities of Demand for German Public Theatre. Journal of Cultural Economics, 2009, vol. 33, iss. 2, pp. 85–108. doi: 10.1007/s10824-009-9094-2
  7. Baumol W.J., Bowen W.G. Performing Arts, the Economic Dilemma: A Study of Problems Common to Theater, Opera, Music and Dance. Cambridge, Mass., MIT Press, 1966.
  8. Colbert F., Nantel J. The Market for Cultural Activities: New approaches for segmentation studies. In: Cultural Economics ‘88: A Canadian Perspective. Association for Cultural Economics, Akron, 1989, pp. 133–140.
  9. Lévy-Garboua L., Montmarquette C. A Microeconometric Study of Theatre Demand. Journal of Cultural Economics, 1996, vol. 20, iss. 1, pp. 25–50. doi: 10.1007/s10824-005-5050-y
  10. Schulze G.G., Rose A. Public Orchestra Funding in Germany – An Empirical Investigation. Journal of Cultural Economics, 1998, vol. 22, iss. 4, pp. 227–247. doi: 10.1023/A:1007526028884
  11. Houthakker H.S., Taylor L.D. Consumer Demand in the United States, 1929–1970. Cambridge, Massachusetts, 1966.
  12. Krebs S., Pommerehne W.W. Politico-economic Interactions of German Public Performing Arts Institutions. Journal of Cultural Economics, 1995, vol. 19, iss. 1, pp. 17–32.
  13. Touchstone S.K. The Effects of Contributions on Price and Attendance in the Lively Arts. Journal of Cultural Economics, 1980, vol. 4, iss. 1, pp. 33–46.
  14. Gapinski J.H. The Economics of Performing Shakespeare. The American Economic Review, 1984, vol. 74, iss. 3, pp. 458–466.
  15. Bonato L., Gagliardi F., Gorelli S. The Demand for Live Performing Arts in Italy. Journal of Cultural Economics, 1990, vol. 14, iss. 2, pp. 41–52.
  16. Withers G.A. Unbalanced Growth and the Demand for Performing Arts: An econometric analysis. Southern Economic Journal, 1980, no. 46(3), pp. 735–742.
  17. Greckel F.R., Felton M.V. Price and Income Elasticities of Demand: A case study of Louisville. In: Economic Efficiency and the Performing Arts. Association for Cultural Economics, Akron, 1987, pp. 62–73.
  18. Felton M.V. Major Influences on the Demand for Opera Tickets. Journal of Cultural Economics, 1989, vol. 13, iss. 1, pp. 53–64.
  19. Jenkins S., Austen-Smith D. Interdependent Decision-making in Non-profit Industries: A simultaneous equation analysis of English provincial theatre. International Journal of Industrial Organization, 1987, vol. 5, no. 2, pp. 149–174.
  20. Seaman B.A. Empirical Studies of Demand for the Performing Arts. In: Handbook of the Economics of Art and Culture. Amsterdam, Elsevier (North Holland), 2006, pp. 415–472.
  21. Pommerehne W.W., Kirchgässner G. The Decline of Conventional Culture: The impact of television on the demand for cinema and theatre performances. In: Economic Efficiency and the Performing Arts. Akron, Association for Cultural Economics, 1987.
  22. Felton M.V. Evidence of the Existence of the Cost Disease in the Performing Arts. Journal of Cultural Economics, 1994, vol. 18, iss. 4, pp. 301–312.
  23. Throsby D. The Production and Consumption of the Arts: A view of cultural economics. Journal of Economic Literature, 1994, vol. 32, iss. 1, pp. 1–29.
  24. Luksetich W.A., Lange M.D. A Simultaneous Model of Nonprofit Symphony Orchestra Behavior. Journal of Cultural Economics, 1995, vol. 19, iss. 1, pp. 49–68. doi: 10.1007/BF01074432
  25. Seaman B.A. Attendance and Public Participation in the Performing Arts: A review of the empirical literature. Andrew Young School of Policy Studies Research Paper Series, 2005, no. 06-25.
  26. Leslie P. Price Discrimination in Broadway Theater. The RAND Journal of Economics, 2004, vol. 35, iss. 3, pp. 520–541.
  27. Tereyagoglu N., Fader P., Veeraraghavan S. Filling Seats at a Theater: Estimating the Impact of Posted Prices and Dynamic Discounts. University of Pennsylvania, Philadelphia, PA, Working Paper, 2012.
  28. Abbé-Decarroux F., Grin F. Risk, Risk Aversion and the Demand for Performing Arts. In: Cultural Economics. Stuttgart, Springer Verlag, 1992, pp. 125–140.
  29. Gapinski J.H. The Lively Arts as Substitutes for the Lively Arts. The American Economic Review, 1986, vol. 76, iss. 2, pp. 20–25.
  30. Heilbrun J. The Competition Between High Culture and Popular Culture as Seen in the New York Times. Journal of Cultural Economics, 1997, vol. 21, iss. 1, pp. 29–40.
  31. Ekelund R.B., Ritenour S. An Exploration of the Beckerian Theory of Time Costs. American Journal of Economics and Sociology, 1999, vol. 58, no. 4, pp. 887–899.
  32. Montgomery S.S., Robinson M.D. Take Me Out to the Opera: Are Sports and Arts Complements? Evidence from the performing arts research coalition data. International Journal of Arts Management, 2006, vol. 8, iss. 2, pp. 24–37.
  33. Hansmann H. Nonprofit Enterprise in the Performing Arts. The Bell Journal of Economics, 1981, vol. 12, iss. 2, pp. 341–361.
  34. Throsby C.D. Perception of Quality in Demand for the Theatre. Journal of Cultural Economics, 1990, vol. 14, iss. 1, pp. 65–82.
  35. Urrutiaguer D. Quality Judgments and Demand for French Public Theatre. Journal of Cultural Economics, 2002, vol. 26, iss. 3, pp. 185–202.
  36. Willis K.G., Snowball J.D. Investigating How the Attributes of Live Theatre Productions Influence Consumption Choices Using Conjoint Analysis: The example of the National Arts Festival, South Africa. Journal of Cultural Economics, 2009, vol. 33, iss. 3, pp. 167–183. doi: 10.1007/s10824-009-9097-z
  37. Corning J., Levy A. Demand for Live Theater with Market Segmentation and Seasonality. Journal of Cultural Economics, 2002, vol. 26, iss. 3, pp. 217–235. doi: 10.1023/A:1015673802364
  38. Abbé-Decarroux F. The Perception of Quality and the Demand for Services: Empirical application to the performing arts. Journal of Economic Behavior & Organization, 1994, vol. 23, no. 1, pp. 99–107.
  39. Laamanen J.P. Estimating Demand for Opera Using Sales System Data: The case of Finnish National Opera. Journal of Cultural Economics, 2013, vol. 37, no. 4, pp. 417–432. doi: 10.1007/s10824-012-9190-6
  40. Powell J.L. Censored Regression Quantiles. Journal of Econometrics, 1986, vol. 32, iss. 1, pp. 143–155. doi: 10.1016/0304-4076(86)90016-3
  41. Bille-Hansen T. The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good. Journal of Cultural Economics, 1997, vol. 21, no. 1, pp. 1–28. doi: 10.1023/A:1007303016798
  42. Petrin A., Train K. Omitted Product Attributes in Discrete Choice Models. National Bureau of Economic Research, 2003, no. w9452.
  43. Grisolía J.M., Willis K.G. A Latent Class Model of Theatre Demand. Journal of Cultural Economics, 2012, vol. 36, iss. 2, pp. 113–139. doi: 10.1007/s10824-012-9158-6
  44. Чащухин А.В., Лысенко О.В., Клемешов А.С. Портрет зрителя оперного театра: приглашение к разговору // Город как сцена. История. Повседневность. Будущее. Т. 1. Самара: Медиа-книга, 2015. С. 91–100.
  45. Lancaster K.J. A New Approach to Consumer Theory. The Journal of Political Economy, 1966, vol. 74, pp. 132–157.
  46. Favaro D., Frateschi C. A Discrete Choice Model of Consumption of Cultural Goods: The case of music. Journal of Cultural Economics, 2007, vol. 31, iss. 3, pp. 205–234. doi: 10.1007/s10824-007-9043-x
  47. Grisolía J.M., Willis K.G. An Evening at the Theatre: Using choice experiments to model preferences for theatres and theatrical productions. Applied Economics, 2011, vol. 43, no. 27, pp. 3987–3998.
  48. Morey E., Rossmann K.G. Using Stated-Preference Questions to Investigate Variations in Willingness to Pay for Preserving Marble Monuments: Classic heterogeneity, random parameters, and mixture models. Journal of Cultural Economics, 2003, vol. 27, iss. 3, pp. 215–229.
  49. Van Rees K., Vermunt J., Verboord M. Cultural Classifications under Discussion Latent Class Analysis of Highbrow and Lowbrow Reading. Poetics, 1999, vol. 26, iss. 5, pp. 349–365.
  50. López-Sintas J., Katz-Gerro T. From Exclusive to Inclusive Elitists and Further: Twenty years of omnivorousness and cultural diversity in arts participation in the USA. Poetics, 2005, vol. 33, iss. 5, pp. 299–319. doi: 10.1016/j.poetic.2005.10.004
  51. Alderson A.S., Junisbai A., Heacock I. Social Status and Cultural Consumption in the United States. Poetics, 2007, vol. 35, iss. 2, pp. 191–212.
  52. Chan T.W., Goldthorpe J.H. Social Stratification and Cultural Consumption: The visual arts in England. Poetics, 2007, vol. 35, iss. 2, pp. 168–190.
  53. Pulido-Fernández J.I., Sánchez-Rivero M. Attitudes of the Cultural Tourist: A latent segmentation approach. Journal of Cultural Economics, 2010, vol. 34, iss. 2, pp. 111–129. doi: 10.1007/s10824-010-9115-1
  54. Needleman L. Valuing Other People's Lives. The Manchester School, 1976, vol. 44, iss. 4, pp. 309–342.
  55. Grisolía J.M., Willis K.G. Consumer Choice of Theatrical Productions: A combined revealed preference–stated preference approach. Empirical Economics, 2016, vol. 50, iss. 3, pp. 933–957. doi: 10.1007/s00181-015-0948-5
  56. Forrest D., Grime K., Woods R. Is It Worth Subsidising Regional Repertory Theatre? Oxford Economic Papers, 2000, vol. 52, iss. 2, pp. 381–397.
  57. Diniz S.C., Machado A.F. Analysis of the Consumption of Artistic-Cultural Goods and Services in Brazil. Journal of Cultural Economics, 2011, vol. 35, iss. 1, pp. 1–18.
  58. Akdede S., King J. Demand for and Productivity Analysis of Turkish Public Theater. Journal of Cultural Economics, 2006, vol. 30, iss. 3, pp. 219–231. doi: 10.1007/s10824-006-9014-7
  59. Dobson L.C., West E.G. Performing Arts Subsidies and Future Generations. Journal of Behavioral Economics, 1990, vol. 19, iss. 1, pp. 23–33.
  60. Werck K., Heyndels B. Programmatic Choices and the Demand for Theatre: The Case of Flemish Theatres, Journal of Cultural Economics, 2007, vol. 31, iss. 1, pp. 25–41. doi: 10.1007/s10824-006-9026-3

Посмотреть другие статьи номера »

 

ISSN 2311-8725 (Online)
ISSN 2073-039X (Print)

Свежий номер журнала

т. 23, вып. 10, октябрь 2024

Другие номера журнала